![]() ![]() This leads me back to my original question. So your solution is nice but it clearly hinges on having a very expensive sequencer that has a multi year waiting list. And yea the cirklon is super tight and can clock everything but how many ppl have a cirklon? Not many. I too had a cirklon and a usamo combo for a while and switched to the multiclock because of the issues i had. If the Usamo works for you that is awesome, but for me that was the case for the above reasons. I have been down both paths and for my studio it is no contest and worth the extra money. The erm plugin is rock solid in ableton and never hiccups or crashes for me. You split the clock signal out to all your external gear, like the Deluge. The erm has an onboard user interface that i can quickly adjust for latency. The USAMO only has one MIDI out hence the MIDI router/hub. This is excellent for portable live jam syncing. The erm has 4 outputs so i can clock 4 pieces of hardware directly with no thru device if needed. The rest contain each individual problem and its solution. The first link contains the full set of test problems. The erm sends midi out along with clock so i can send that midi from ableton into my sequencer of choice and into my synths. The Forty-third USAMO was held April 29th and April 30th, 2014. No finnicky dial needs to be fine tuned on the erm, it works out of the box with about any interface. The DAW sends MIDI to the plug-in the plug-in translates that to audio and sends it to the USAMO hardware, via an output on your computers audio interface. Students taking the AMC 10 A, or AMC 10 B plus the AIME I. Students taking the AMC 12 A, or AMC 12 B plus the AIME II need a USAMO index of 229.0 or higher to qualify for the USAMO. USAMO qualifying 2 questions Thread starter killerinstinct Start date 1 killerinstinct. In general, I've found that IMO 1/4's are easier than the corresponding USAMO 1/4's, the 2/5's are of similar difficulty, and IMO 3/6's are harder (although this has changed in recent years). Students taking the AMC 12 A, or AMC 12 B plus the AIME I need a USAMO index of 219.0 or higher to qualify for the USAMO. Answer (1 of 2): They're quite similar in terms of difficulty. Also noted by os on his compatibility site. 2015 USAMO and USAJMO Qualification Levels. Usamo is not consistently sending clock out of my rme interface and constantly requires fine tuning to get close. Not sure on that one but its never been resolved thT im aware of. It is a known issue and Os says its an ableton thing. Which is best for rock solid sync? Is the MTP's clock even up for the job, or should I cut my losses and invest in a sync box? And in terms of MMC (e.g.The usamo plugin fails to start in ableton consistently after i hit a track count of around 20. I've flicked through the manual and 'audio click to MIDI' through Pedal A on the MTP seems like the most sensible option but the other sync options (SMPTE, ADAT, Word Clock etc.) are really confusing me. Moreover, the actual hardwired connection really is quite simple:Īudio out (audio interface) -> audio in (sync box) -> MIDI out (sync box)īut how would I replicate this with a 828 MK2 FW and a MTP AV USB? While the ERM (and the significantly cheaper Expert Sleepers Usamo) both use a VST plugin to generate the audio click, is there any reason you couldn't just use Ableton's stock metronome to generate the click? 'Sample accurate MIDI clock' is a phrase that gets banded about a lot from what I understand this is simply the process of converting an audio click into MIDI clock. I've long pined after an ERM Multiclock, described by many as the saviour of all hybrid setups, but given it's also £450 I've turned my attention back to the MOTU gear sitting in my rack. and the USAMO will attend the Mathematical Olympiad Summer Program (MOSP) at. I'm therefore looking for a solution that will allow me to use both the MPC and the DAW in tandem. HARDCOVER ISBN /59.95 CORNERSTONES Textbooks Basic and Advanced Algebra. In terms of audio I multi-track 16 channels into Ableton via 2x 828s, but since I don't sync the DAW and the MPC, each recording has to be done in one take and any overdubs have to be lined up manually. I've got them linked up via network cable, running in Clockworks on the latest build of Catalina, and as a standalone 16x16 MIDI patchbay routing MIDI from my MPC1000 it's absolutely flawless. I recently bought a MTP AV USB and MTP II to allow for more flexible MIDI routing within my hardware setup. ![]()
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